Story brainstorming.

There is a dark undertone to my current writing project. The way I have it now, the story begins the first day of 11th grade after a pretty traumatic summer for our white-trashy hero, Seth McCoy. He lost his virginity to a girl he can't stand (but was so wasted, he doesn't remember anything about the experience), had a run-in with the cops (over what, I've never decided), and was the one to find his friend dead after a dirt-bike crash.

Seth was a bad kid. You know, vandalism, drug use, excessive drinking, and all-around indifference to life. His older brother is a terrible example, having lost his license for DUI arrests and such. His mother is young and fun, but not a terribly good example herself. She's the type who buys beer for minors and smokes pot with the kids. And she's having an affair with one of Seth's older friends (which is discovered at the end of the first chapter).

The story I want to tell is about this kid who was going down this path, but changed his mind and cleaned up his act. I wanted to show how his life differed when he was no longer doing the things that he's been doing all his life. How his family and friends relate to him. How his perceptions changed. It's not supposed to be a preachy story, or even an ALCOHOL IS BAD story. Of course, since I haven't written it, I don't know how it will come across.

Another element of the story is that he registers for an interpersonal communications class at school by mistake. He decides to stay because he thinks it will be pretty easy. There he will meet and get paired up frequently with Rosetta, a rich girl who he seems to have nothing in common with. Of course, he will learn that everyone has their own unique problems whether they live in a trailer park or in some fancy house on a golf course.

So, I'm trying to figure out what, if anything, I want to change in this story. Because my writing instructor says it is too dark and too adult. (Of course, she also insists I should be writing a female protanganist for the simple reason that I am one, so I'm not sure how much I value her opinions.)

In order to tell this story about Seth changing from being stoned all day and drunk all night to SOBER, I first have to give him a compelling reason to WANT to change. The reason I have chosen is the death of his friend. They were out, drinking and being all wild. A minute later, the friend was dead. It really freaked Seth out because it could have just as easily have been him. This element right here is behind everything in this story. It makes the main character depressed, soul-searching, and even a little bit angry. Without this death, the story can have a completely different feel.

The question here is: WHAT DOES SETH WANT AND WHAT WILL HE DO TO GET IT? I think what he wants to stop feeling powerless. His friend's death showed him that one stupid mistake can end everything in an instant. So he is trying to take control of his life in whatever ways he can. It will have some positive results, but I think he will find that he is still controlled by fear, so he'll have to work through that too.

I don't think the so-called darkness to this story line is bad. It's heavy, but that doesn't bother me. I've read other YA that is heavy and those are often the stories that stick with me longer.

However, maybe I really am hanging on to an idea that would be better left alone. I've come up with a few other ideas for why Seth could give up partying.

1. He got in big trouble with the law. Okay, but is that reason enough to WANT to change? He's 16 going on 17. Is the fear of jail seriously going to make him want to change his ways? Is the fear of punishment even an interesting development?

2. He got a taste of how the rich live (somehow) and is now ashamed of his life. I think this one would change the character the most from how I've envisioned him so far. I think it makes him weaker somehow. His driving forces would be desire for money (to buy a better life) and the hunger for respect (because he's always been looked down upon). Essentially he would be ditching past habits and friends because he's disdainful and wants to show that he's too good for them. This would mean that he is changing because of how he wants to be seen by others.

3. He wanted to prove that he could do it. This one might take place in the form of a bet? This could give the whole thing a kind of playful, humorous tone. His friends (or someone) might say that they don't think he CAN give up drugs for a period of time. He does it to prove them wrong and to get some major reward in return. Money, a new guitar? Something he really, really wants but can't get for himself unless he follows through with his end of the bargain. A question that would go along with this is who would actually offer this challenge and WHY would they want to?

4. He is working with a mentor who has challenged him to try to be better. This is similar to the previous one, but with a little more at stake because Seth wants the reward (whatever it is), but he also doesn't want to let the person down. But who is this mentor-person? And why does Seth care so much what they think?

5. Or maybe a more subtle change is in order: His friend was in a coma after the dirt bike incident, but didn't die.

6. He has to pass a drug test???? Okay, now I'm just starting to toss out any old idea whether it's thought-out or not. Meanwhile, I haven't completed any writing this week.

7. Another idea just came to me: This could have something to do with the band? Seth is in a band with his brother and also with the friend who is shagging Seth's mother. (Scandal! Tension!) I could have him see this band as his ticket to fortune. Or something. But why would being in a band make him quit drinking? Usually that would have the opposite effect on a kid.

Grrrrrrrrr.

I've been trying to be understanding and not too high maintenance, but this is getting ridiculous.

I just got my third critique back from my online instructor. These were for my second and third chapters. Which, numerically follow my first chapter. Which she read last week along with my outline.

So, she commented that my "opening" doesn't make any sense. That she doesn't know who any of the characters are and it's confusing. That there is too much going on. But, you see, my first chapter led up to all of this with a dramatic cliff hanger ending. All these characters and situations were explained. There is no reason why she should be like, "Wait? Who is this? His brother?" It says who he is in the last line of last week's assignment.

Then she continually referred to my main character as "she" throughout the first half of the critique. Hello! He's been a boy all along. Just because I'm a female doesn't meant I'm writing one.

I get that she might get confused since I'm not her only student, but I think it's pretty crappy that once she realized her error, she didn't go back and fix the comments. It's obvious that she is just doing this in a big hurry.

I get that she has infant twins and that her own writing project is due in a few days. But I think that she should not be teaching a class if she doesn't want to put the time in. I've never had a writing instructor be so clueless about something that she just read last week. And my previous instructors have been teaching 20+ students.

I want to send her a note to let her know how I feel, but I'm too angry right now. And I'm concerned that it will just sound like sour grapes. She was very critical, calling my main character unlikable and saying that there is too much heavy stuff in my first chapter. (Which, of course, was the second chapter, but it appears that the words "Chapter 2" eluded her.)

I'm trying to figure out if I'm angry because she didn't say anything positive or because she really isn't paying attention. If she had called my MC a girl and rambled on and on about not knowing who the characters are, but said some good things too, would I be this pissed? I'm not sure.

I'm reserving judgement...

I'm only two weeks into my online class, so I won't say it sucks. HOWEVER, so far, I have a lot of complaints about the instructor. We do not mesh. I think she's abrasive and do not care for her communication style. At all.

On the upside, I've written a fairly detailed outline and two pretty coherent chapters. The instructor has not given me feedback on my writing or my ideas and she ignored all my questions in the chat (why? I wish I knew!), but I'm moving ahead anyway. I would love to get this book published just to spite her.

It would be swell if I was able to be this focused and determined without shelling out all this cash. Maybe the anger spurs me on?

If she doesn't change, I will be communicating my displeasure, let me tell you.

I'm in!

My new online class starts on Thursday. THIS Thursday. The Thursday that is two days from today. And to think, if I hadn't been voting in the "Hotties in Publishing" poll last week, I never would have known the class existed!

I am going forward with my new novel (yes, another one!) for this twelve-week class. I probably would have made it much easier on myself to stick with CMT or to rewrite MEOW SISTERS, but I'm just not feeling those right now. I want to see if I can do what the course says I'll do: Write a first draft in twelve weeks.

This story (which I haven't yet written a single WORD for) is called THE FAKE MCCOY. It will be the first thing I've written in recent years to have a boy for the main character. I still have some anxiety of whether I can pull it off, but I'm trying to stay positive and convince myself that I CAN write a teenage boy! I'll find out soon enough...

Meandering, soul-searching.

This morning, I applied for the writing program that I linked to in my last entry. I don't know for sure that that I want to do it, but since I'm leaning that way, I thought it would be better to apply and change my mind rather than to NOT apply and wish I had. Apparently they will get back to me before tomorrow. In other news, a recent rejection letter described my manuscript in this way: ...What you have here is a coming of age story, one that meanders and is a bit soul-searching.

The agent went on to say that this is "fine" but not quite what he was looking for.

I've thought about that letter a lot since I received it.

Coming of age. Yes. That is true. That was always my intention. In fact, I thought it was described as such in my query letter. (It turns out that those words were edited out of my latest version. I've put them back in.)

Soul-searching. Definitely! That is very much what I wanted to accomplish. Hooray!

one that meanders... The definition of "Meander" according to M-W.com:

1 : to follow a winding or intricate course 2 : to wander aimlessly or casually without urgent destination : RAMBLE

I'm feeling it for definition #1. But #2, not so much.

My goal is that my next project will be coming of age. It will be soul-searching. It will NOT meander.